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en co-évolution avec le biologique
The world is silence
à travers un regard essentiellement masculin
mais aussi une réflexion sur son travail pour le livre d’artiste
Jacques-Henri Lartigue
Une vie d'architecte à Tokyo. Archéologie en co-évolution avec le biologique"The criterion for architecture after the tsunami is humility." Kengo Kuma was almost 10 years old when he visited the Yoyogi Gymnasium, shaped like a huge fish and designed by Kenzo Tange, during the 1964 Tokyo Olympics. The building had a profound impact on him, and after this powerful experience, he decided to become an architect. Passionate about the traditional culture and architecture of his country, where the use and craftsmanship of wood are
